See https://www.finlandiafoundationseattle.com/language-classes/ for details.

Olli Hirvonen is a Finnish guitarist currently based in Brooklyn, NY. Fluent in various styles from jazz to rock to more experimental sounds, he has formed a highly unique style combining these different influences. As the winner of the 2016 Montreux Jazz Guitar Competition, Hirvonen is definitely one of the most accomplished Nordic musicians of his generation.

Born in the city of Lappeenranta, a lakeside town in southeast Finland, he began his musical studies at the age of nine at the local music institute with classical guitar and piano. After finishing high school in 2008, Hirvonen began his studies at the prestigious jazz department of Sibelius Academy in Helsinki, where he got to study with Tim Hagans, Raoul Björkenheim and Teemu Viinikainen. He finished his Bachelor’s degree in June 2011.

In August 2011 he relocated to New York City to pursue his Master’s degree at the Manhattan School of Music, where he had a chance to study with such jazz luminaries as Rodney Jones, Dave Liebman, Jim McNeely, John Riley and Phil Markowitz. His curriculum there also included composing classical and electro-acoustic music. He graduated in the spring of 2013.

After finishing school Hirvonen started to work full time as a freelancer in the NYC scene, playing as a sideman as many as eight gigs a week in various configurations from solo to big band, while simultaneously starting to build a presence as a leader in his own right. He released his debut album Detachment in 2014, and the same year toured the US as the Performer of the Year of the Finlandia Foundation, which allowed him to perform solo and trio concerts around the country. At the same time he was starting to play regularly with the bassist Marty Kenney and the drummer Nathan Ellman-Bell, a jazz trio that eventually morphed into a avant-metal-jazz group RED REITER. After some touring and the release of an EP featuring the NYC avant-garde scene shredder Brandon Seabrook, Hirvonen decided to return back to his jazz roots and formed the group New Helsinki with the same rhythm section plus the pianist Luke Marantz.

In the summer of 2016 Hirvonen won the Montreux Jazz Electric Guitar Competition. The jury, presided over by John McLaughlin, ended up choosing him as the winner after an exceptionally high level competition. He was also nominated as the Artist of the Year of the Pori Jazz 2011 festival, which is used to be one of the highest and the most visible recognitions in the Finnish jazz scene.
Hirvonen has been performing with his own ensembles all around the world since 2008. These performances include festivals in the US, Finland and abroad, including the main stage of Pori Jazz, Kennedy Center Nordic Cool 2013 Festival, UCLA European Jazz Festival, DC Nordic Jazz 2015, Sounds NEW Contemporary Music festival in UK and Tudengijazz in Estonia, and numerous clubs in New York and around, such as the Jazz Gallery, Cornelia St. Cafe, Bar Next Door, Bitter End, Stone Pony, and Rockwood Music Hall.

In a supporting role, Hirvonen’s contributions include major roles in acclaimed bandleader Brian Krock’s ensembles Big Heart Machine and Liddle, in which he provides “blistering guitar blasts” as described by Downbeat Magazine. He also plays and tours in Tarun Balani’s Dharma, and maintains a busy freelance schedule in New York City, being one of the first call guitarists for new and challenging jazz and contemporary music.

Cascadia Brass
Robert Gale, trumpet
David Cole, trumpet
Cynthia Jefferson, French horn
Stan Jeffs, trombone
Edgar Phillips, tuba

Finland’s long-standing brass band tradition started with military bands accompanying kings and czars or leading soldiers as they marched, but it quickly evolved into entertainment for the common people at folk dances and hunting parties, and then into the world of jazz. It even followed Finnish immigrants to America. The highly-acclaimed Cascadia Brass returns to Mostly Nordic to take us on a tour of the Finnish brass ensemble tradition throughout its evolution and history. It is certain to be a blast!

The 44th Annual Kalevala Festival will be a tribute to the Finnish sauna and sauna culture in honor of the authentic Finnish log sauna, built in 1914-1918 and relocated from Finn Hill in Bothell, WA to the East Sculpture Garden of the Museum. On the program:

• Choir sings “sauna songs” and choral songs inspired by the Kalevala
• Sauna stories and tales
• Presentation of the “Finnish sauna culture” by Kaija Kauppinen, Fulbright Scholar at UW
• Instrumentals by Kalevala Trio and Evergreen Kantele Players
• Solo singing
• Folk dancing
• Presentation of the NNM refurbished sauna